In this play, Shakespeare continues the story of King Henry V, who appeared in Henry IV as a careless, reckless boy. Now, Henry has grown up and must lead his country and army during the Hundred Years’ War. What makes just a man a king? What makes a king just a man? Shakespeare's famous history play presents ideas that make everyone—from leader to observer—think about the nature of kingship and brotherhood.
- Freshly edited text based on the best early printed version of the play
- Newly revised explanatory notes conveniently placed on pages facing the text of the play
- Scene-by-scene plot summaries
- A key to the play's famous lines and phrases
- An introduction to reading Shakespeare's language
- An essay by a leading Shakespeare scholar providing a modern perspective on the play
- Fresh images from the Folger Shakespeare Library's vast holdings of rare books
- An up-to-date annotated guide to further reading
- An essay by Catherine Belsey
The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe.
|Recommended in Program(s):||
|Simon & Schuster
|4 February 2020|
Number of pages:
|2.29 cms H x 21.34 cms L x 14.22 cms W|
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on the Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children - an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare's only son, died in childhood. The bulk of Shakespeare's working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and their editing.
Paul Werstine is Professor of English at the Graduate School and at King's University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare's plays.